One of my readers asked me to do a more in-depth description of the process I used to create my latest painting "Chickadee" in Inktense pencils and Neocolor II crayons. I hope that by sharing my process here I will encourage others to try out this fun technique too!
Picking tools
I have been fascinated by Inktense pencils since I first heard about them. I have been most pleased to see how well these ink pencils integrate seamlessly into ink artwork. Unfortunately, some of the Inktense colors aren’t very lightfast and to avoid fading I decided to choose the colors for my piece based on lightfastness ratings of 6 and above (on a scale of 1-8, 8 being the most lightfast.)
I have been taking an interest in water-soluble pencils and crayons recently and was curious to try using the Caran D’ache Neocolor II crayons in a fine art piece.
On one of my trips to Dick Blick's a while ago I picked up a small piece (8” x 8”) of Aquabord to experiment with. I liked the idea of using it here as the surface is rather rough and I thought it would work well to show the roughness of the tree bark in my picture.
Picking a palette
In starting a new piece my first step is always to choose a palette. Although I may add additional colors later on, I think it's best to do some planning before you start. Flying blind with color can lead to some awkward color passages and disharmonies later on.
I use hole-punched pieces of white watercolor paper (nice and heavy) to match little pieces of color in my reference photo with the Inktense and Neocolor II swatches in my swatch book.
I use hole-punched pieces of white watercolor paper (nice and heavy) to match little pieces of color in my reference photo with the Inktense and Neocolor II swatches in my swatch book.
Once the palette is chosen I'm ready to start the piece. Here is a look at my workspace with palette swatches, brushes, a sponge, and q-tips for applying and softening color, pencil sharpener, Inktense pencils (in cup), mechanical pencil, and some of my Neocolor II crayons laid out and ready to go.
Here is the reference photo I chose to work with in this piece.
I used graphite transfer paper to transfer the basic image shapes to the Aquabord.
The Painting
To begin the painting I laid down color with Inktense pencils to create the out-of-focus background. After applying the color I smoothed it with q-tips wet with a moderate amount of water. The Inktense pencils create very bright colors that will be enhanced and softened by Neocolor crayons later on. Here is the Chickadee with Neocolor II crayons added over the Inktense pencils in the background. Fairly opaque in nature, they helped create more variation and richness to the background as a whole. At this stage the background is nearly complete.
Next I began working on the darkest darks in the tree branches in the middle ground with Inktense pencils. I have also colored the bird’s eye for tonal reference. The eye will remain the darkest dark in the entire piece.
Next I began working on the darkest darks in the tree branches in the middle ground with Inktense pencils. I have also colored the bird’s eye for tonal reference. The eye will remain the darkest dark in the entire piece.
With more detail (Neocolor II) added to the other two major branches and a bit of color (Inktense) added to the bird, the painting is beginning to come together.
Chickadee 8" x 8" Neocolor II crayons and Inktense pencils on Aquabord |
Well, here it is! The finished Chickadee painting. I am most pleased by how this new medium worked out for me. It was satisfying in both a tactile and a visual way. High marks for enjoyment!
Here are some close-up images from the painting:
Close-up of the main branch |
Close-up of the bird |
I hope that this tutorial has been helpful and even inspiring. Creating this painting has certainly been the most fun I’ve had using crayons since the second grade! Why not try this technique yourself? If you do, I'd love to hear from you. And don't forget to send me a link too so I can see what you've created! If you liked seeing my step-by-step process here please let me know and I'll post more how-to's in this style in the future. :-)
Wonderful how-to's and in-process photos. I learned a lot from looking. Hope to try something similar soon. I have a half-finished sketch from early spring of a river birch with delightful colors and curly bark that might benefit from this kind of treatment. I really love your details and colors! Thanks for the great post!
ReplyDeleteThank you Connie! I appreciate the feedback and I'd love to see what you do with this technique with your river birch sketch when you complete it. :-)
ReplyDeleteGorgeous! Love and really appreciate the steps!
ReplyDeleteNice tutorial Sara - and the finished piece is delightful! I have some Inktense pencils lurking somewhere, but have never tried Neocolor. Tempting to add some to the stash.
ReplyDeleteSue
Thank you for posting this. I never thought to use these with an aquaboard!! Or together with the Neocolors. Very beautiful painting!! Thank you again!
ReplyDeleteThanks to you all! :-) I'm really happy to hear the feedback about the tutorial style as well. That gives me a really good idea of how to format some new posts to be perhaps be of more use.
ReplyDelete:-D
Very nice! I love step by step tutorials!
ReplyDeleteEvery step was helpful! Thanks for this tutorial.
ReplyDeleteI enjoyed it as well! I've never used Aquabord but am now tempted to try some. I love the rich textures and colors you got from layering, and the soft treatment of the background. I personally love the Inktense pencils and what they can do. Your work is gorgeous!
ReplyDeleteThanks Lyn, Sandra, and Elizabeth! :-)
ReplyDeleteI did get some aquaboard but my first experiment with it wasn't very successful. I will probably try again at some point and I appreciate you taking the time to outline all of your steps this way. This is an excellent post, very informative and I enjoyed reading about the entire process. Some really good information here. Yes! definitely do more posts like this :-)
ReplyDeleteThe surface we work on is so personal and so particular to the tools we're using. I'm glad I held onto the Aquabord to use with the Neocolor. If I had used it for another medium - say Prismacolors - I don't think I would have liked it as much. ;-)
ReplyDeleteThanks for all your lovely comments Ann. I will certainly write more posts like this one, it was really fun to do. :-)