Drawing of the Day

“Sculpted Garden,” copyright Sara Light-Waller, 2014
(6” x 8” pen & ink in a Stillman & Birn Epsilon journal)

I don't have too much to say about this piece, only that it was inspired by a garden scene I found interesting. It was drawn with a Noodler's Konrad flex pen and a Pilot Pocket Brush Pen. 

Carousel Camels and Other Things

Here a few drawings from the day. Both pen and ink, created in a Banditapple unruled notebook with a Noodler’s Konrad flex pen and Noodler’s black ink, as well as Pitt brush pens for the solid blacks.

"Carousel Camel on the Loose" Copyright, Sara Light-Waller

This first drawing shows a Bactrian camel, decked out in carousel regalia, galloping through the desert. I’ve never drawn a camel before and thought it might be fun to dress him (or her) up for the occasion.

"Horse and Rider collage" Copyright, Sara Light-Waller

The next piece started out as a simple pen and ink drawing of a horse and rider, but after some happy accidents in my photo manipulation program — voila! I now have something much more interesting that looks collaged. I so love happy accidents!

Daily Report: No “artistas” here

One of my Snow Wolf doll proxies, used to check
lighting and clothing when drawing

Editing has been going gang-busters for me this week, with six chapters edited so far. I’m not quite sure how I managed to pull off the editing I did this morning. I was not in the right mood to edit when I got up, but wanted to try and push ahead before leaving for a Seattle appointment this afternoon. My old illustration professor used to say that professionals can’t be “artistas,” waiting until they feel in the "right mood” to work. Even though I’ve always embraced this philosophy, being able to pull out another chapter's worth of edits this morning was still a real surprise to me. Though the chapter will still need another re-read before bed tonight, I think it's in pretty good shape now, including the more complete description of an interior of a soviet-style apartment which I neglected in earlier drafts. 

Inking is proceeding well on the next book illustration. I’ve just gotten out one of my Barbie doll clothing proxies to check the lighting for the clothing in the drawing. (I may have to dig into my doll stores in the garage to find the girl in the shiny leather coat, though. I hope she’s easy to find.) 

So, all proceeds here as the hail comes down outside.

PS. Still groovin' with the Noodler's Konrad flex pen. I'm finding that its wider nib creates a nice line width for the heavier ink lines in the drawings. 

Ink pens I'm using in my illustrations
Micron (initial lines over pencil)

Namiki Falcon EF

Noodler's nib creaper flex

Noodler's Konrad flex

Fountain pen ink of choice

Noodler's Black

The Konrad Flex Pen and “Rome Burning” Ink – A Preliminary Review

Noodler's "Rome Burning" ink and Konrad Flex pen

As mentioned in my last blog entry, I recently won a brand new ink and pen as prizes in the Noodler’s Ink 2011-2012 International Art Contest.

As I unwrapped the package and looked over my prizes I thought, “hmmm, I wonder how the pen will write?” The ink was less of a question for me. “Rome Burning” is a brown ink with a couple of tricks to it. I LOVE the theme behind the ink – as Noodler’s CEO Nathan Tardiff describes it – “ ‘Rome Burning’ has a bulletproof patrician core color of Caesar’s purple with the colors of the inferno that wash away from it with excess liquidity.” So it’s a brassy-brown with a golden-yellow halo (similar to the halos seen in “Swan in English Roses” which is red, or in “Blue Nose Bear” which is blue) which when washed turns into a bulletproof purple color. Very cool! Since the purple part of the ink is bulletproof it would be superior to use as a writing ink for secure documents like checks. (I currently use Noodler’s Bulletproof Black or Kung Te-Cheng for check writing.) But as I always evaluate my inks for drawing first and writing second, “Rome Burring” doesn’t really do it for me.

Golden Browns are not my favorite browns to draw with, I much prefer reddish-browns like Diamime Sepia (see The Search for the Perfect Brown.)  The fact that the initial color washes out to another color is interesting but not as valuable for my uses. Despite that, “Rome Burning” is a welcome addition to my ink collection and will most likely be relegated to the category of writing (and not drawing) inks. No shame there.

Meanwhile, what about the Konrad Flex pen? The one I received as prize is the “Red Mesa” color which is a lovely red tortoise-shell.

First impressions –

The Konrad is a lovely feeling pen. The weight and balance are very good. It also looks very professional and sharp. It certainly looks like it costs more than its $20-$24.00 price. The Konrad has a lovely feature of a safety cap that screws on the back of the pen which prevents you from accidently twisting the barrel and letting out ink when you don’t intend to. When filling the pen you remove that little screw-on cap and can then twist the barrel to fill the pen. The filling mechanism is a slide piston fill converter that works very easily. 

Writing (ahem, Drawing…) -

This is a very smooth writing pen. One of the things I loved about the Ahab was the nib, which has a wonderful feel to it. It’s springy and well-constructed and makes a line with what I think of as “character.” The Konrad nib has a similar feel to it, but with the added bonus of being packaged in a medium-sized body. One of the things I like least about the Ahab is the size, which is really too big and heavy for my hands, especially posted. The Konrad is still a bit heavy for me posted but when unposted is a bit short.

Konrad pen tests

My biggest problem with the Konrad is the width of the nib. I much prefer a fine/medium width nib for drawing. My Konrad is most definitely a medium width nib. Although I prefer a medium nib for writing I find it a bit thick for drawing. Interestingly, the Ahab has a good nib width for me for drawing, as it runs thinner than my Konrad’s nib. I say “my Konrad” as I have no certainty yet that all the Konrads have exactly the same width nib. It’s quite possible that there is some variation in the nib width between pens. If there is, there could be a fine/medium width Konrad nib out there that I would find just perfect.

The nib flexes wonderfully and will produce a fine line with a very light touch. Perhaps that was my problem with the line width, I was applying too much baseline pressure. I suppose time and more experimentation will tell.

Summing up –

So what do I think of the new Konrad Flex pen? Overall, I like it. It’s a lovely, smooth writing pen with a wonderful nib. It seems quite well-made and is very attractive. It’s a good starter even after a few days off. The line, though a bit thick for my tastes, might be made thinner with a lighter touch.

Will I use it for drawing? Absolutely! (Although I think I’ll switch back to another ink…maybe good-old Bulletproof black.) Am I happy to have it? Yes! Would I recommend it to other artists? Yes!

I am a complete pen snob when it comes to drawing pens. As a pen & ink artist, I have to be. So I am very picky about my pens. But I would certainly recommend this pen to both artists and writers. I think it might be the best flex pen that Noodler’s has yet produced. If you’re looking for only one affordable flex pen then I would recommend this one, especially if you’re a gal with medium/small-sized hands like me. It seems perfectly made for us!

Cheers everyone and I hope you enjoyed these reviews. :-)