Showing posts with label Charles Vess. Show all posts
Showing posts with label Charles Vess. Show all posts

Sunday, March 16, 2014

Charles Vess Workshop

"Vasilissa went up to the hag in a terrible fright."
Casein WIP. (Photo by Tara Larsen Chang.)
So a funny thing happened to me on the way to the book signing…sounds like a bad joke doesn’t it? Well, in this case, it wasn’t a joke, it was synchronicity. I was at a book signing for “Seven Wild Sisters” at the University Bookstore in Seattle when Charles Vess mentioned that he had one spot open in his upcoming weekend workshop in Bothell.

Of course, I jumped at the chance. Why wouldn’t I?

The workshop followed a standard format. The instructor gives out an assignment prior to the first class and students arrive with a preliminary drawing, ready for initial critique. The rest of the workshop is devoted to finishing the painting, under the instructor’s watchful gaze.

In this case, we were asked to prepare a scene from a fairy tale, from one of three choices.

Charles Vess and his demonstration piece
So far so good.

I like fairy tales. Hell, I’ve been drawing my own for the Book I illustrations for the past few months. But I had to hustle, I only had two days to prepare the assignment, including the necessary research. It was fast work, but I made it. As bad luck would have it, I caught a cold that week, and arrived with my drawing, and cold medicine, in hand.

An inauspicious start. Made worse by the fact that mine was the only symbolic representation in the class. I had chosen to do a painting inspired by traditional Russian illustrator, Ivan Bilibin. Everyone else had chosen a naturalistic style, more like Vess’.

A closer look at Charles Vess's WIP
But never mind any of that…the room was filled with talented illustrators, not to mention Charles Vess, himself. And I was there to learn…and so I did. Just not in the way I first thought…

Truly, I was too sick to create anything that weekend, although I tried. I planned and re-sketched and painted. On Sunday, the last day of the workshop, I painted as fast as I could. Perhaps, faster than I ever had. *lol* I truly don’t remember.

Of course, I didn’t finish my painting. There was too much to do and too far to go with a bad cough and a running nose. Despite this, some of my painted passages were spot on, even though I’m still just getting to know casein.

I truly enjoyed Charles’ insights, the slideshows of his works in progress, and the other artists in the class.  And yet…what did I come away with. What did I learn?

Final workshop critique - there's me at the end. (Photo by Tara Larsen Chang.)
I’ve been processing these thoughts for several weeks now. One thing became clear to me very quickly - the workshop was a catalyst for change. Not in how to use of colored inks, or in the potential professional value of naturalistic vs. symbolic book illustrations.

No. What struck me during my fever-induced artistic retreat, was the bigger picture. Creativity from the high stair. Who am I as an artist? What does art look like when inspiration bubbles up from the unconscious? What happens when you don’t listen to those messages…? What happens to creativity when artists are encouraged to conform to a system? Is the goal more important than the process?

I’m still rolling around my thoughts on these questions. I probably will be for some time to come. But the summation is this — my experience at the workshop was invaluable. My creativity was sparked. So - goal met. But it was sparked with a rather long fuse. That fuse is still burning and I expect will be for some time to come.


Many thinks to Charles Vess, Tara Larsen Chang, and TLCWorkshops for a wonderful learning experience.

Tuesday, February 25, 2014

Charles de Lint and Charles Vess book signing

Charles Vess, Charles de Lint, MaryAnn Harris (from left to right)


Last night was fun! Matt and I went to the University of Washington bookstore for a book signing of “Seven Wild Sisters” written by Charles de Lint and illustrated by Charles Vess. What a delightful presentation. Not only did we get to hear a selection from the book, but Charles (de Lint) and his wife, MaryAnn Harris played a few songs for us, while Charles (Vess) did a sketch. As always, Charles de Lint was great-hearted about signing mounds of books that people brought from home.

Charles Vess sketch
I had met Charles de Lint before, but never Charles Vess. As far as I'm concerned Charles Vess is one of the top fantasy illustrators we have right now.  While chatting with Mr. Vess, I discovered that he will be giving a professional illustration workshop in Washington this weekend and I was able to snag the very last spot!!! Wow!!!
Charles de Lint
Charles de Lint fast sketch drawn while he was playing music.
This is bound to be a mighty exciting weekend and I just can’t wait. I’ll be blogging about my experiences so stay tuned, I'm certain the workshop will be a lot of fun!

Tuesday, December 18, 2012

Editing Break

I’m currently working on edits for the third draft of Book 1 of my new Sci-Fi/ Romance series. This afternoon I found that my brain was getting kind of mushy and I decided to do some drawing to give myself a break.

As I mentioned in a previous post, I am also contemplating the book’s cover art right now. When contemplating a book cover there are many questions you need to ask yourself. Of course, you want the cover to be germane to the book (although this isn’t always followed) and you also want it to be appealing to prospective readers. But that’s just where you start. A lot of consideration goes into book cover design and many times it takes a while before you get the right idea lodged in the right part of your brain. I’m at the stage now where I’m taking a look at some of my favorite contemporary illustrators for inspiration.

Charles Vess is a prolific fantasy and comic book artist who’s been around for quite a while. He’s also a particular favorite of mine. Today, I decided to copy one of his pieces in order to better understand both the construction of his people (or centaurs in this case) and his use of color.

Here’s the result next to the original image.

I suspect that I'll be continuing to look at Vess' work for some time to come. I can tell that he has much to teach me. :-)

After finishing the copy of Vess’ centaur, I decided to have a bit of fun and do it again in a more Thelwell-like style. The result is below. I like her, what she lacks in elegance she certainly makes up for in "go-to-itness."
"Centaur pony girl" - pen & ink and colored pencil

Tuesday, March 13, 2012

On Books


A selection of books looking for a bookshelf
After much grimacing, I realized today that I was going to have to get into the boxes in the garage and excavate some books. Now before I go any further I should state for the record that Matt and I are huge bibliophiles. Also, that our rather large book collection requires many, many bookshelves which we are having a devil of a time finding locations for in the new house. Ironically the new place is about the same size as the old place where we had plenty of room for all the books. I don’t understand why but the new house seems just the wrong shape to have enough spots for all our bookcases.

When we first moved in we got out the “critical” book sections and found homes for those. These included my art studio reference, business, fiction, poetry, horses, and some children’s books. The manga (except for two rather sad and dog-eared copies of Immortal Rain) are all in boxes in our bedroom closet. The cookbooks are in boxes in the Family Room waiting for a bookshelf to be painted Plum. The new age books are in the bedroom, I think…

Meanwhile History, Fantasy/Science Fiction, Fine Art, Children’s, and Massage are still waiting to find homes. In utter frustration I have told Matt that we’re going to have to finish the basement in order to create a proper library!

In the meantime, I needed to have some illustrators near to hand to study. So up came Arthur Rackham, Winsor McCay, NC Wyeth, Howard Pyle, Beatrix Potter, Brian Froud, Charles Vess, Michael Kaluta, James Gurney, Mac Raboy, and a variety of Japanese manga and game artists. (I have still not been able to locate Leyendecker... *grump*)

I feel better now…I truly do. Now, if I could only figure out where to put them!